Case study · INMO Air3

Making AR glasses feel everyday.

A first-person brand film for INMO Air3 — the world’s first all-in-one 1080p waveguide AR glasses. The goal: cut through the spec-sheet noise and make a mainstream audience actually want to wear them.

Client

INMO

Role

Concept · Direction · FPV · Edit · Color

Year

2026

Deliverables

Dedicated film + vertical cutdowns

The finished film — shot, cut and colored in-house.

The brief

INMO was launching the Air3 — the first all-in-one AR glasses with a full-color 1080p waveguide display — to an audience that still pictures AR as a bulky headset. The brief was clear: sell it through real, everyday use and genuine first-person footage shot through the glasses, not a spec rundown.

The hard part: the display had to read clearly even in bright daylight, where most AR screens wash out — and the whole thing had to feel as natural as putting on a pair of sunglasses.

The approach

I took it end to end — concept, script, shooting, edit and color. I built the film around the one thing that actually sells these: how natural they look and feel to wear. Real FPV footage captured through the lenses showed the 150-inch virtual screen in genuine settings — outdoor viewing, remote work, gaming, on the move — with a sequence shot in full sun to prove the display held up.

Clean, close product shots kept the eyewear-style design feeling premium, and the cut was paced for retention from the first frame — finished as a dedicated film plus vertical cutdowns for TikTok, Reels and Shorts.

  • Concept & script
  • Direction
  • FPV cinematography
  • Editing
  • Color
  • Sound
  • Vertical cutdowns
The cutdown

One film, re-engineered for the scroll.

Compacting a long film into a vertical short isn’t trimming — it’s a rebuild. The long edit and the short live by completely different rules, so the cutdown gets its own pass: reframed, re-paced and re-thought for a muted, thumb-scrolling audience. Here’s what actually goes into one.

  1. Reframe every shot for 9:16. Horizontal footage is re-composed for a vertical frame so nothing important falls outside the safe zone.
  2. Find the one beat worth keeping. Pulling the single most arresting moment out of a multi-minute film without losing the story.
  3. Earn the first 1.5 seconds. The strongest visual and the hook lead — no intro, or the thumb keeps scrolling.
  4. Cut for relentless pace. Tighter cuts and a faster rhythm that never let attention drift.
  5. Caption for sound-off. Punchy, frame-perfect on-screen text, because most people watch on mute.
  6. End with a conversion moment. A clean closing frame that points to the next step.

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